The show must go on

Tahiche Díaz

Man, as a good animal who has become aware that he possesses consciousness, has tried to solve the problem of meaninglessness (...), constantly inventing systems of symbols and philosophies that we call languages and that rest on patterns as contingent as they are necessary to survive in the surrounding environment.

I would like to tell this theater of consciousness as the game between reasons and unreasons of a hominid nature that learns and adapts to a surrounding environment, solving theoretical/practical problems in an attempt to balance its selfish passions with an objective social morality (...). But, although all our historical memory gives us solutions, it is necessary to forget (...) and play at building the world based on new needs. We are all that was, but also all that will be (...).

Billions of thinking minds try to coexist in time, make assessments and create new spaces of interpretation open to thought with the purpose of adapting (making culture) and promoting progress towards a politics (of good management) of the soul.

With a neopagan attitude, the artist intends to say the infinite in the finite through analogies and plays at being god in an exercise of providing meaning where there is none.

The arts, philosophy and sciences must take the reins of interpretation, which is castrated by the quantity of images that, instead of telling the world, compel the individual to integrate into a structure of mercantilist sects. The artist must tell the world above genres and classifications that alienate communication, using visual allegories and creating spaces open to the viewer's experience. His objects (brought to light from hermeneutics and only towards maieutics) must allude to time and be mediators of the individual's experience, (must) develop an exercise of freedom and capacity for choice halfway between information and the management of structures, channeling energy, inviting reflection and the use of allegorical capacity to represent and account for the world, to participate in life, acting in society (without acting), as one more worker who should not walk on high, (must) communicate by all means and with their hybrid properties, represent ideas and solve theoretical problems through a conceptual relationship of materials and means appropriate to the form, seeking solutions to the prevailing bad taste that crushes us and offering a product to society and a meaning to the ineffable without thinking about absence and fostering the impossible.

From this circus spectacle, strolling through history.

And, at the same time, forget about this and decide, and live.

And blah, blah, blah (organism).